Two billion years ago, a massive meteorite, measuring 5 to 10 kilometers in diameter, collided with the Earth's surface in southern Africa, leaving a lasting impact on the planet.
This impact site, known as the Vredefort Dome, is located in the north-central part of South Africa.
The tremendous kinetic energy of the meteorite caused significant disturbances, resulting in extensive geological transformations within a 300-kilometer diameter. The collision created a half crater approximately 25 kilometers away from the point of impact, along with several fragmented mountain ranges and a central volcanic formation. As magma brought gold elements to the surface, the surrounding ring-shaped mountains protected these precious minerals from weathering and erosion.
Present-day Johannesburg, situated at the base of the meteorite-formed crater, is closely tied to this geological history as the discovery of gold in the late 1880s and the ensuing gold rush, led to the establishment of the city.
One of the most significant gold mines near Johannesburg is renowned as the deepest mine in the world. Over a century of mining activities allowed South Africa to reap substantial benefits from its gold reserves. However, like any finite mineral resource, the South African gold mining industry is currently experiencing a decline in production as the reserves dwindle over time.
At the 18th International Architecture Exhibition in Venice (until 26th November 2023), Kate Otten Architects took a distinctive approach to storytelling, deviating from the linear patriarchal narrative. Their installation, situated in the Arsenale, unfolds as a harmonious blend of simultaneous and intuitive readings of the landscape, skillfully conveyed through the hands of women artisans.
Central to the installation is a suspended loom, delicately woven with mohair to create a cloak that embraces the body, offering warmth and comfort. The installation goes beyond mere aesthetics, incorporating a sociological mapping of the surface landscape and topography. Here, the presence of green spaces corresponds to privileged and affluent areas, while treeless regions represent impoverished neighborhoods. Dividing these contrasting landscapes, the remnants of mining waste act as a symbolic boundary.
The narrative further unfolds with the inclusion of gold mines and water courses, intricately intertwined to deepen the reading of the space. To adorn the body, a beaded necklace serves as a poignant symbol, representing the extraction of gold from the Earth and its significance within the context.
In line with their intention to embrace the essence of South Africa, the materials used in the installation are carefully selected to be natural, decomposable, and specific to the region. From the dyes to the mohair wool, sourced from the thriving industry in the rural Karoo region, every element is a testament to the deep-rooted connection to the land.
The piece was developed by women's collectives, drawing upon age-old traditions and fostering a sense of community and collaboration.
Through the interplay of light and shadow, the vibrant colors and intricate patterns, and the meticulous craftsmanship and collaborative process, this installation embodies an architectural approach that is deeply rooted in the essence of its place.
It not only reflects the unique spirit of South Africa but also nurtures the human spirit, inviting visitors to engage with the landscape and its narratives in a profound and meaningful way.
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