Monthly Archives: October 2024

Makeshift Water-Related Architectures: Daniel Otero Torres’ “Aguacero” @ The 60th International Art Exhibition – La Biennale di Venezia

Water has been on our minds recently: in previous posts we indeed explored its abundance and its influences in fashion. Yet, what occurs in its absence? "Aguacero," an installation by Colombian artist Daniel Otero Torres at the 60th International Art … Continue reading

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Technology Behind the Magic: Coperni S/S 25

In yesterday's post, we explored architectural projects influenced by climate change, rising sea levels, and floods. Let's continue the "water" theme by shifting to fashion, focusing on a new accessory created by the Coperni duo. Earlier this year, Sébastien Meyer … Continue reading

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Aquatic Futures: “Water is Coming” @ The Danish Architecture Center (DAC), Copenhagen, Denmark

Climate change is drastically affecting our lives: glaciers and ice sheets are melting, leading to rising sea levels that threaten to submerge places like Venice and Tuvalu. But rising seas aren't the only water-related danger. In Jakarta, Indonesia, only two-thirds … Continue reading

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Fashionable Curatorship: “Radical Modernity: From Bloomsbury to Charleston @ Sotheby’s, London

In the last decade or so, the term "curated by" has become overused, with all kinds of people claiming to "curate" everything from music playlists to film festivals and art exhibitions. Seeking to appeal to younger, affluent collectors, but as … Continue reading

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Dark Pop Art: “Mike Kelley: Ghost and Spirit” @ Tate Modern, London, UK

A large and dense tapestry-like piece hangs on one of the walls of the Tate Modern, in London. You don't need to look too closely to spot various handmade, knitted, crocheted, and sewn objects, including stuffed animals, dolls, and other … Continue reading

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Invisible Labor, Indelible Struggles: “Hard Graft: Work, Health and Rights” @ The Wellcome Collection, London

The hands of the sculpture entitled "Washerwoman" (2018) by Shannon Alonzo leave an indelible impression. They aren't pristine, clean, or delicate; instead, they are dirty, wrinkled, and deformed. These hands grasp a garment being scrubbed by a headless, decaying figure, … Continue reading

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