Practical Abstract Collages and Dioramas: Ports 1961 Resort 2017

It is sometimes surprising how, while looking at a fashion collection, your mind may be conjuring up images of specific artworks or architectures. Take for example Ports 1961's Resort 2017 collection: its moods, shapes and colours seem to evoke the abstract collages of Kurt Schwitters or the palette of his Merzbau.

Ports1961_Cruise_17_KS

Known as "The Cathedral of Erotic Misery" or "KdeE", the project consisted in a corner of his studio, but then extended to most of the rooms in his family house in Hanover, Waldhausenstrasse 5 (destroyed during an Allied bombing raid in 1943). 

Ports1961_Cruise_17_1

At times these spaces featured mainly white elements and grotto-like formations filled with collages, photographs, and sculptures of his friends. 

Ports1961_Cruise_17_KS_a

Some critics define the Merzbau as a series of abstract dioramas, a room of jutting angles, and immersive shapes and silhouettes. 

Ports1961_Cruise_17_KS_c

In a way you could maybe say the same about Ports 1961 Cruise collection: creative director Natasa Cagalj experimented with new shapes and silhouettes, applying every now and then bits and pieces of fabrics here and there almost as if she were creating a Dadaist collage.

Ports1961_Cruise_17_KS_b

The results were oversized coats with rounded silhouettes, casual shirts, and pants with drawstring ties at the ankle, while wide-leg trousers were also integrated into formal suits. 

Ports1961_Cruise_17_2

Printed abstract doodles or patches of random fabrics (Cagalj is known fo saving raw selvages of fabrics) decorated shirts and dresses in a collagist style, but the most interesting pieces were the ones in red, blue and white woven jacquard fabrics that turned exposed threads into fringes.

Ports1961_Cruise_17_3

Though the collection seemed to respect certain key trends that are currently quite fashionable (rounded silhouettes, oversized pieces, deconstructed and collaged elements) it certainly didn't looked ridiculous or unwearable, but it offered an arty twist to a practical wardrobe. Besides, it could be considered as a celebration of quality fabrics, from heavy twill to light cotton, all Made in Italy.

Ports1961_Cruise_17_4

The Made in Italy label replaced the Ports logo in a brave attempt at celebrating the brand's textile suppliers and was turned from description into decoration and embroidered on a blue shirt or replicated into woven stripes in a blanket check motif, to remind us that fashion is not about wearing your heart on your sleeve, but about opting for long-lasting quality pieces. 

Ports1961_Cruise_17_5

Member of the Boxxet Network of Blogs, Videos and Photos     

Add to Technorati Favorite

Related articles

Wearable Art Inspired by Music: Briggs & Cole's "No Line No Wave" Project
Quick DIY Sunday Project: Balancing Act Necklace
A Manifesto for Chemical (and Technological) Art: Remembering Remo Bianco
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply